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7 Crippling Behaviors Billionaire Mark Cuban Would Never Do As An Artist

If you’re alive, you may have heard of Mark Cuban, tech guru, owner of the U.S. Mavericks basketball team and permanent fixture on the hit television show Shark Tank, where entrepreneurs pitch to investors in hopes of gaining once-in-a-lifetime expertise and investments.

His net worth is 3.7 billion dollars.

So, what can Mark Cuban, who’s made his fortune in sports and tech, teach us about creative business? Well, it turns out, a lot. I list just a few here to show how the two are not so different after all. See if his advice applies to your creative business. Number 6 will surprise you!

In The Beginning, God Said, "Let There Be Failure"

Mark’s story is a great one because he’s so relatable to the massive middle class, which includes most of us, right? Plus, his story is still unfolding right this very minute which makes him damn relevant historically speaking. Also, we're afforded exactly the same things he was afforded when he started out (with the exception of the Internet, which gives us a leg up on him).

You see, it didn’t appear in the beginning (circa 1980's) that Mark would ever become a billionaire. In fact, Mark made moves that appeared counter productive to billionarism.

Here are a few.

1. He skipped his senior year of high school to enroll in college. In the traditional sense, skipping school was frowned upon in the pre-Internet era. But nonetheless, he decided in addition to taking college courses full-time, he’d open a bar (he wasn’t even of legal drinking age). This venture was shut down immediately after he mistakenly allowed a 16 year old to enter and win a wet t-shirt contest.

Takeaway: Pay attention to the details that matter most to the success of your business.

2. Then there's the business he started going door-to-door selling powdered milk. If you guessed this one failed too, you’re right.

Takeaway: Always test your market before going all in.

3. Another time early in his career he trusted his business financials — banking deposits, withdrawals and accounting to an employee who embezzled $85,000 dollars promptly putting him out of business.

Takeaway: We probably don't need to even go over it.

The lessons Mark learned along the way go far beyond these, but I shared these to show he’s real. And you’re real. And you can apply his principles even if your business isn’t tech or sports, even if you don't want to become a billionaire.

So, let’s jump straight to how these lessons relate to you and your creative entrepreneurship.

Mark says it wasn't so much his brains and definitely not his organizational skills that got him to where he is today. In fact, what he did is possible to copy without clout, money, education or even support.

From Zero to Mavericks

How did he fail so much and get where he is? According to Mark, he became successful for two main reasons:

  • He took every failure and used it as a genuine tool for learning.

  • He never stopped getting back up and starting again.

Sound easy? It is. On paper. In practicality, it’ll take some serious chutzpah, but you can surely do it. You may even have a much better transition to ultra success than he did if you use everything that's at your disposal in today's world!

Ramping Up Your Chutzpah

Read this next sentence twice….

Mark never saw his failures as a reflection of his future potential.

So, his failures never kept him down. He simply wasn’t afraid to fail again and again and again and yet again. He just kept on moving forward quickly, learning, falling down and getting back up. And, according to him, that’s what created a winner. Period.

"The genius thing we did was, we didn't give up." JayZ

The list of successful people who’ve used that same recipe for success is endless. But it’s the lessons in Mark’s not-so-smooth story that I find so doable for me and for you.

Seeing your failures as challenges and using them to continually alter your course going forward will highlight for you more and more what NOT to do.

So, let’s dive in fearlessly. I’ve taken key parts from Mark’s book, How To Win at the Sport of Business, and applied some of his huge insights to the artist's creative business.

My challenge to you is to alter your own current creative business practices and see if you can view the creative industry standards regarding business mind-set, delivery, presentation, processing, performance and sale of the arts in a different light.

The 7 Crippling Behaviors

See if these describe you. If you ask Mark, I'm pretty sure he wouldn’t be caught dead doing these:

Behavior #1: You don’t think of your creative business as a legitimate business.

According to Mark, what you bring to the universe should be used to enhance your life and I agree.

This could never be so true as it is for artists. Your talent is unique to you and therefore, by nature of being exclusive, it is quantifiable (there's a whole different discussion to be had on determining that, however) giving you a unique advantage over mass productions.

Simply put, your originality potentially makes your creation's desirability high and positions it as a prime product or talent for trade in the form of money, goods or services. Being that this is the case and that you create using your very own unique, 1-in-7-billion, talent, it would be unjust to not also view it as a legitimate means of earning money which enables you to continue to offer it to patrons who wish to own it.

Ok, you might be saying, “It just sounds too business-like. I left my 9 to 5 to get the hell away from that.” I get that, but in order to stay the hell away from that 9 to 5, you need to earn a living that replaces it.

Thinking of your art as a business does not demean its significance. To view it from a business perspective (as well as a spiritual, aesthetic, and historical perspective) requires a shift for some that feels uncomfortable, maybe even degrading or irreverent.

Selling your work in order to fund future creations and grow as an artist is empowering as much as it is a contribution of expression for both the artist who creates it and their patrons who enjoy it.

Behavior #2: You’ve taken out loans, hired people or rented studio space that’s outside your budget in order to present yourself as more professional.

Mark is clear on this one. He’s against entrepreneurs having debt. He says debt comes in two forms: money and people. The message here is to stay debt free at all cost and Mark is 100% convinced that debt keeps us from reaching our dreams quickly and for some, at all.

Sleep on a couch in a shared apartment if necessary. Meet clients or patrons at a restaurant or other shared spaces for appointments, showings or events. Overall, never overextend yourself for ANY REASON. Acquiring debt forces your hands to be tied.

Think of ways you can use free or inexpensive methods to better present yourself or your work. Then as your income rises, rent, buy or hire to fit your budget. Whatever you do, keep from owing anyone if it’s possible and get where you want to be 10 to 100x faster.

Behavior #3: You aren’t studying your competition.

As I said earlier, your work is unique so it can feel as if you have no real direct competition. However, consider this huge warning from Mark's book.

Having a unique product or talent definitely sets you apart, but competition can come in many forms. It isn’t always a straight across trade.

For example, you may be the creator of beautiful mosaic garden ware such as benches, bird baths, bird feeders and such. You see only a few artists online whose work is similar to yours and no one locally who's offering what you are. So, you decide it’s best to keep your head down and work on.

But what do you do when sales begin to decline? If you weren’t paying close attention to your competition then you wouldn’t know that a new artist nearby has started making copper garden ware that’s becoming quite popular in your area or that aqua blue is all the craze this Spring and the department stores are selling out of garden ware in that color.

If you were paying close attention then you may have decided to incorporate those things into your works. Or even better, you divert away from trends and offer something completely new for the season altogether.

Whatever you do, look up. Look around. Be ready for your competition when they come, not if they come because competition is as certain as death and taxes.

Behavior #4: You're your own best friend.

So, what’s wrong with that?

A lot, according to Mark.

The reason? We tend to lie to ourselves. I was not in agreement with this one at first, but the more I thought about it, the more I realized how I can be guilty of this. I unrealistically boost myself up at times when I'm feeling frustrated, defeated or not good enough. Instead of being more logical and forming a plan of attack to remedy the situation that made me feel that way in the first place, I nurse my ego way too long.

I get it that sometimes we really need to be our own best friend. I also realize some of you may be saying, “Ha! I’m not my own best friend at all. I’m my own worst enemy!” It’s true we can be cruel to ourselves, but even worse for business sake is when we’re too nice.

Instead, enlist a friend who can pick you up from time to time. Lean on them when your chipped ego needs repair, but don't befriend yourself in the business sense because you might end up telling yourself you’re doing great, that you’ve done more than you need to, that people’s criticisms are wrong, that your eye for color, form, etc… is always on point, that your work has more to offer than anyone else’s….

Just say no to being your own best business friend. Instead, keep it real. Keep it honest.

Behavior #5: You’re too comfortable.

If effort is the great equalizer, then it's possible to even the playing field by not getting too comfortable.

According to Mark, once you’re aware of who your competition is ask yourself, “What do I need to do (relentlessly) to understand my competitor even better than anyone else?”

By learning everything you can about them, you gain much more than simple insights. You’ll not only see what’s working, but also what’s not. This opens up avenues for you to swoop in and conquer.

There are two things to do here:

  • Learn where they’re lacking and take the reigns. If their website is not up to par, be sure yours shines.

  • Learn where they’re killing it and copy. If their shows are highly attended, document and follow the processes they use to market, advertise, and present their works. Find out who their connections are.

Overall, work, work, work. Keep your edge and go for it and you’ll definitely come out ahead.